- Posts: 44
- Joined: Tue Feb 22, 2011 2:35 pm
- Location: UK
I wouldn't worry about whether the film "has a score already," since there are no "official" scores for silent films, and it was the practice to make new scores where ever they're shown. In addition, any short film that's had a quality release on video will have a score on the video, which would restrict you to only films that have NOT been released on video, which generally means they either are of limited interest, are inaccessible, or have intractable rights problems, none of which is a good idea for a starting project. I'd pick a film that the composer likes and that would appeal to the venue where the piece is to be performed.
Keaton and Chaplin are always good choices for audiences and venues, though from a composer's perspective, you get better opportunities to write interesting music in films that are less wild slapstick and have longer sequences to be illustrated, with some drama and romance as well as comedy. So think about maybe scoring several shorts, including a comedy but also an early Biograph drama with Pickford and Gish, or a Mr and Mrs Sydney Drew comedy. And you could also look at more avant garde fare, such as Menilmontant, The Fall of the House of Usher, or Le Mystere du Chateau de Des; which, baffling though they may be to the audience, would certainly give the composer a chance to write and develop some interesting music.
