Thu Dec 08, 2011 7:59 am
I don't know about other posters on this thread -- apparently I completely missed a thundering war of words, with planes exploding and ships crashing until Mike conveniently hit alt-control-delete -- but my point was never about having a "right" to see anything at all. In fact, I don't believe I have ever once participated in any of the numerous discussions on NitrateVille that have centred around that argument ... all those postings about Colleen Moore movies, for example.
My thought was simply that here is one of the seminal legacies of motion pictures in general and comedy (silent and sound) in particular, and it is not being treated with the respect, love, care, and yes money that it deserves.
Most of us from the Boomer generation who love silent comedy got started watching L&H on TV as children. With the exception of a few Chaplins and Keatons, L&H were the only silent clowns whose films were repeatedly shown in great prints. We literally owe our passion for silent films to The Boys.
In my case, it was L&H on CBC every Saturday at 5:30 or 6:00 pm throughout the summer months, with Horace Lapp on the piano. Beautiful prints. This tradition continued just barely long enough for me to capture a handful of them on Beta tapes, which I still have and continue to watch occasionally (I made a VHS copy of most of them 20 years ago).
Where are those films since the late 1970s? I'm not inviting arguments about Hallmark or other rights holders. Chaplin, Keaton, Lloyd, and Langdon have all had their legacies polished and produced in lovely box sets. I'm not sufficiently interested in the minutiae of technology to give a flying eff about "artifacting" images or fps speed or the other nitpicking that NV regulars greet any major release with. I just enjoy wonderful films in wonderful prints. And wonder why L&H are the only major silent clowns not to merit this kind of respectful treatment.
Yeah, I know about the series of "Lost Films". Not good enough. I had hopes for this new release, but what I've read on this thread suggests it doesn't get the job done, either, and besides it's half useless to me if the talkies don't have captions.
I've supported silent film productions from the days when Paul Lisy (sp?) ran Videobrary and would custom-package selections of one- and two-reelers for me. I bought tonnes of stuff from Grapevine, Video Classics, Unknown Video, Milestone, and all the others. I've never felt I had a "right" to see these things, and I remain eternally grateful to those who made it possible for me to see them once I had paid them my "ticket" (I never got any silent for free except one from, ironically, RMR himself) (oh, and one from, I think, Bruce C.) Many were in almost unwatchable condition, especially those old Grapevine VHS's -- but at least I had them.
Laurel and Hardy deserve the best, nothing less. And I don't have Blu-ray, so I never carp about Blu-ray versions!
Jim