Agnes wrote: I loved "The Cat's Paw", which I think may be my fav LLoyd talkie. He Played someone very smart and very decent who out-foxed the bad guys at their own game. Lloyd just seemed to glide flawlessly through the dialog and inhabit the part. He seemed like such a babe-in-the-woods at the begining, but his seeming innocence was far from the truth, and it did trip up the mob.
Agnes
Absolutely agree.
The Cat's Paw is my favorite Lloyd talkie for the reasons you've mentioned. I also enjoy his rapport with Una Merkel, a well-chosen leading lady. On top of that, it's clear Lloyd really "got" the style required for sound in this film. I like
Movie Crazy too, but it plays like a silent comedy with sound added, whereas
The Cat's Paw is a true product of its era: the mid-1930s. As others have noted elsewhere, it feels like a Capra film (i.e. like
Mr. Deeds or
Mr. Smith.) The tone is natural and relaxed, and I don't recall any reworkings of silent era gags.
A few years ago I saw the silent version of
Welcome Danger, i.e. the one that was released to theaters that hadn't yet been wired for sound. (The earlier version he abandoned no longer exists.) It plays better than the talkie version, but that's not saying much. And in the Chinatown sequence there are
endless shots of Harold clunking Asian guys on the head, I mean, over and over and over. I came out of the theater with a migraine.