FrankFay wrote:In really bad cases the bowing isn't even close to being in sync with the music.
The classic case is supposed to be John Garfield's closeup shots in golden boy. I've heard that the fiddle was propped under his chin, one violinist did the fingering, and another moved the bow. Of course this was filmed silent...one would hope.
First of all, the film was HUMORESQUE, not GOLDEN BOY. (While Garfield played the male lead in
Golden Boy on the Broadway stage, William Holden was in the film.)
In any event, I have always taken the stories about Garfield's violin playing in HUMORESQUE with a block of salt. Speaking as a violinist myself, playing the violin is an extremely tactile activity. I could literally feel what I was playing and know it was in tune, as well as hear it. Two or three people doing the playing requires just as many tactile points of view, and it would be extremely hard, as well as clumsy, to get them all playing together.
My personal theory is that Garfield learned how to finger the instrument and play simple passages for his medium close-ups in the film, and the rest was done through ingenious use of doubling in long shots and extreme close-ups. Jane Wyatt learned the violin in a similar way for her part in LOST HORIZON.