book - Lon Chaney's Shadow

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Darren Nemeth
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book - Lon Chaney's Shadow

Post by Darren Nemeth » Sat Mar 07, 2009 10:38 pm

I don't know about this one. Philip J. Riley wrote the introduction.

It comes out in July.

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Lon Chaney's Shadow: John Jeske and the Chaney Mystique reveals an unexplored and controversial side of the great silent film actor Lon Chaney's life by taking a close look at his relationship with friend, chauffeur, and make-up assistant, John Jeske. Books previously published of Chaney's life and career document his phenomenal talent in the art of motion picture make-up and acting, but the reader comes away without a full understanding of who Chaney was as a man. This book focuses on the human level of the relationship between Lon, his son Creighton (Lon, Jr.), second wife Hazel, and their "faithful servant", so the pieces of the emotional and psychological dynamics at work in this complex story can finally be appreciated for the significant impact they had on Chaney's career.

The John Jeske story is at its core a fascinating glimpse into a world which has until now been off limits to all but the most dedicated of researchers. The majority of evidence to link the two men has been purposely suppressed or destroyed--a great deal of it was destroyed by Chaney himself and his wife Hazel to keep alive the myth that Chaney did not need help of any kind. The story of Jeske's life and work with Lon Chaney is therefore fragmented at best, but I believe, through painstaking research, I have recovered enough to finally reveal the truth. This book fills the gap left behind by every other Lon Chaney biography and is an essential addition to the libraries of Chaney fans and film historians worldwide.
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misspickford9
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Post by misspickford9 » Sun Mar 08, 2009 5:07 am

Please tell me this wont be one of those gay angle bios...I grow weary of those.

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Rob Farr
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Post by Rob Farr » Sun Mar 08, 2009 7:19 am

Maybe Jeske was the man behind Chaney's makeup? From the lost Jeske notebooks: "Lon could barely apply eyeliner without poking out his headlights. In '25 he thought the Phantom should look like Rudolph Valentino. I argued that Christine would hardly be terrified if she pulled off the mask to reveal a Latin lover. Uncle Carl had to tell Lon to shut up, sit in the chair, and let me get on with my work. Lon's major contribution was to take a nap and when he woke up the Phantom makeup was born. Scared the bejeezes out of the poor sap."
Last edited by Rob Farr on Sun Mar 08, 2009 1:41 pm, edited 1 time in total.
Rob Farr
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Jack Theakston
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Post by Jack Theakston » Sun Mar 08, 2009 9:09 am

Phil Riley?

Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha...

HA!
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WaverBoy
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Post by WaverBoy » Sun Mar 08, 2009 5:10 pm

What's up with Riley, to make him so guffaw-worthy? Do tell...

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Post by rollot24 » Sun Mar 08, 2009 7:28 pm

WaverBoy wrote:What's up with Riley, to make him so guffaw-worthy? Do tell...
Yes, do. I've only read his book on PHANTOM, which raised a few of my eyebrows. I thought the mid section, with the history of the filming, was OK but the prologue and afterwards made me seriously go "oh, yeah?"

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silentfilm
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Post by silentfilm » Sun Mar 08, 2009 8:42 pm

Here's an alt.movies.silent post where Jack lists some of the many errors in Riley's Phantom of the Opera book.

There's also a thread where several people discuss some Lon Chaney memorabilia disappearing after Mr. Riley used it for his book, but I can't seem to find that discussion right now.

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Post by rollot24 » Sun Mar 08, 2009 10:47 pm

I got the impression that some of the final chapter of the PHANTOM book was more of a fanboy's wishful dreaming than actual facts.

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