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Programma/Programme 2013



LE SEZIONI DEL PROGRAMMA/PROGRAMME SECTIONS

EVENTI SPECIALI/SPECIAL EVENTS
- BLANCANIEVES (Arcadia Motion Pictures, ES 2012; dir. Pablo Berger)

A colpi di note/Striking a New Note
- NO NOISE (Hal Roach, US 1923; mus. Orchestra Scuola Media “Leonardo da Vinci”
di Cordenons)
- CRAZY HOUSE (Hal Roach, US 1928; cast: Jean Darling; mus. Orchestra
Scuola Media "Centro Storico" di Pordenone)

- Jean Darling "a casa"/"at home"

Ichiro Kataoka, Benshi
- CHIKEMURI TAKATANOBABA [Il duello a Takata-no Baba / Blood-Splattered Takatanobaba] (Nikkatsu, JP 1927)
- CHOKON [Un rancore indelebile/An Unforgettable Grudge] (Nikkatsu Taishogun, JP 1926) (frammento/fragment)
- THE BLACKSMITH (Buster Keaton, Comique Film Corporation, US 1922)
- OTOME SHIRIZU SONO ICHI HANAMONOGATARI FUKUJUSO [Il profumo dell’adonide gialla: un episodio dai Racconti dei fiori / The Scent of Pheasant’s Eye: An Episode from the Tales of Flowers] (Shinko Kinema, JP 1935)

Evento finale/Final event
- THE FRESHMAN (Harold Lloyd Corporation, US 1925; mus. Carl Davis)


LABBRA SIGILLATE/SEALED LIPS
GLI ANNI DIMENTICATI DEL CINEMA SVEDESE, 1925-1929
SWEDEN'S FORGOTTEN YEARS, 1925-1929
- POLIS PAULUS’ PÅSKASMÄLL (The Smugglers) (AB Svensk Filmindustri, SE 1925,
dir: Gustaf Molander)
- FLICKEN I FRACK (AB Biografernas Filmdepôt, SE 1926; dir. Karin Swanström)
- HANS ENGELSKA FRU (AB Isepa / Wengeroff-Film, SE/DE 1927; dir: Gustaf Molander)
- FÖRSEGLADE LÄPPAR (Sealed Lips) (AB Isepa/National-Film AG/Les Films Albatros,
SE/DE/FR 1927; dir: Gustaf Molander)
- SYND (Sin) (Film AB Minerva/British Instructional Films/Hisa-Film GmbH, SE/GB/DE,
1928; dir: Gustaf Molander)
- KONSTGJORDA SVENSSON [Artificial Svensson] (AB Svensk Filmindustri, SE 1929; dir: Gustaf Edgren)
- DEN STARKASTE [The Strongest] (AB Svensk Filmindustri, SE 1929; dir: Alf Sjöberg,
Axel Lindblom)
- RÅGENS RIKE [The Kingdom of Rye] (Tellus Film, SE 1929; dir.: Ivar Johansson)
- FÅNGEN N:R 53 (A Cottage on Dartmoor) (British Instructional Films/AB Svensk
Filmindustri, GB/SE 1929; dir: Anthony Asquith

UCRAINA: IL GRANDE ESPERIMENTO/UKRAINE: THE GREAT EXPERIMENT
- BOROTBA VELETNIV (Borba Gigantov) [Lotta di giganti /The Struggle of Giants]
(VUFKU, UkrSSR 1926; dir. Viktor Turin)
- SUMKA DIPKURIERA [La cartella del corriere diplomatico/The Diplomatic Bag]
(VUFKU, UkrSSR 1927; dir. Oleksandr Dovzhenko)
- DVA DNI [Due giorni / Two Days] (VUFKU, UkrSSR 1927; dir. Heorhii Stabovyi)
- ARSENAL (VUFKU, UkrSSR 1929; dir: Oleksandr Dovzhenko)
- NICHNYI VIZNYK (Nochnoy Izvozchik) [Il vetturino notturno/The Night Coachman] (VUFKU, UkrSSR 1929; dir. Heorhii Tasin]
- SHKURNYK [L’egoista/The Self-Seeker] (VUFKU, UkrSSR 1929; dir. M. Shpykovsky)
- KHLIB (Tysiacha devyatsot dvadtsiatyi rik) [Il pane / Bread; Il millenovecentoventi/
The Year Nineteen Twenty] (VUFKU, UkrSSR 1930; dir. Mykola Shpykovskyi)
- ZEMLYA [La terra / Earth] (VUFKU, UkrSSR 1930; dir. Oleksandr Dovzhenko)

ANNY ONDRA
- GILLY POPRVÉ V PRAZE [Gilly a Praga per la prima volta/Gilly in Prague for the First
Time] (Karel Lamac, CS 1920; dir. Karel Lamac)
- SETRELÉ PÍSMO [Le lettere mancanti/The Missing Letters]
(Globusfilm, CS 1921; dir. Josef Rovenský)
- DÁMA S MALOU NOŽKOU [La dama dal piedino/The Lady with the Small Foot]
(Geem-Film, CS 1920; dir. Premysl Pražský, Jan S. Kolá);
- CHYT’TE HO! [Prendetelo!/Catch Him!] (AB, CS 1925, dir. Karel Lamac)
- PRÍCHOZÍ Z TEMNOT (Redivivus) [Colui che viene dalle tenebre/The Arrival from the
Darkness] (Rexfilm, CS 1921; dir. Jan S. Kolár)
- OTRÁVENÉ SVETLO [La luce avvelenata/The Poisoned Light] (Kalos, CS 1921; dir. Jan
S. Kolár, Karel Lamac)
- DRVOŠTEP [Lo spaccalegna/The Lumberjack] (Z. Vilím, CS 1923; dir. Karel Lamac)
- LUCERNA [La lanterna/The Lantern] (Poja Film, CS 1925; dir.. Karel Lamac)
- [ANNY ONDRA SOUND TEST FOR BLACKMAIL] (BIP, GB 1929)

GERHARD LAMPRECHT
- DIE VERRUFENEN (DER FÜNFTE STAND) (The Slums of Berlin) [I malfamati (Il quintto
livello)/The Outcasts (The Fifth Estate)] (Gerhard Lamprecht-Produktion der National-
Film AG, Berlin, DE 1925; dir. Gerhard Lamprecht)
- DIE UNEHELICHEN (Children of No Importance) [Gli illegittimi/Illegitimate Children]
(Gerhard Lamprecht-Produktion der National-Film AG, Berlin, DE 1926)
- MENSCHEN UNTEREINANDER [Esseri umani uno sotto l’altro/People among Each
Other] (Gerhard Lamprecht-Produktion der National-Film AG, Berlin, DE 1926)
- UNTER DER LATERNE (Under the Lantern) [Sotto il lampione] (Gerhard Lamprecht-
Produktion der National-Film AG, Berlin, DE 1928; dir. Gerhard Lamprecht)

MESSICO
- Il Messico del 1900
The Cinema Discovers Mexico, Mexico Discovers the Cinema
- Il trionfo di Francisco I. Madero, leader della rivoluzione
The Triumph and Fall of Madero
- La rivoluzione armata/The Armed Revolution
Victoriano Huerta, Venustiano Carranza, Emiliano Zapata, Francisco Villa

- CINEMA ITALIANO/ITALIAN RESURRECTIONS
- VIAGGIO IN CONGO (Guido Piacenza, IT 1912)
- I PROMESSI SPOSI (Ambrosio, IT 1913; dir. Eleuterio Rodolfi)
- GIUSEPPE VERDI NELLA VITA E NELLA GLORIA (1813-1913)
(Labor Films, Milano, IT 1913; dir: Giuseppe De Liguoro)
- IL GALLO NEL POLLAIO (Palatino Film, Roma, IT 1916; dir: Enrico Guazzoni)
- GIORGIO GANDI (Regina Film, Milano, IT 1917; dir: Giulio Donadio)
- IRONIE DELLA VITA (Gladiator Film, Torino, IT 1917; dir. Mario Roncoroni)

CINEMA D'ANIMAZIONE/ANIMATION
- Animazione sovietica/Soviet Silent Animation
- Felix the Cat
- Ko-Ko the Clown

IL CANONE RIVISITATO/THE CANON REVISITED - 5
- BEGGARS OF LIFE (Paramount, US 1928; dir. William Wellman)
- SCHERBEN (La rotaia; Shattered) (Rex-Film/Ufa, DE 1921; dir. Lupu Pick)
- MAT’ [La madre / Mother] (Mezhrabpom-Rus, USSR 1926; dir. Vsevolod Pudovkin)
- BEGGARS OF LIFE (Paramount, US 1928; dir. William Wellman)
- TURKSIB (Stal’noi put’) [Turksib; La strada d’acciaio/The Steel Road] (Vostok-kino,
USSR 1929; dir. Viktor Turin)

CINEMA DELLE ORIGINI/EARLY CINEMA
- Joly-Normandin
- The Corrick Collection (7)

RISCOPERTE E RESTAURI/REDISCOVERIES & RESTORATIONS
- THE BLACKSMITH (Buster Keaton, 1921-22)
- DER GEHEIME KURIER
- KOSMICHESKII REIS;
- LUCREZIA BORGIA
- MAT (1920)
- MUTTER
- UNA NUEVA Y GLORIOSA NACIÓN;
- THE NEW OPERATOR
- PIMPLE IN OLIVER TWISTED
- VISITA DELL’IMPERATORE CARLO I A TRIESTE
- The Haghefilm/Selznick Fellowship 2013
- NationalMFilm Preservation Foundation
- Uomini che soffrono/Suffering Men
- Kulturfilm georgiani/Georgian Kulturfilms

RITRATTI/PORTRAITS
- MUSIDORA, LA DIXIÈME MUSE (Les Films du Horla, FR 2013; dir. Patrick Cazals)
- NATAN: THE UNTOLD STORY OF FRENCH CINEMA’S FORGOTTEN GENIUS
(Screenworks, The Arts Council, IE 2013; dir. David Cairns, Paul Duane)

MUTI DEL XXI SECOLO/21ST CENTURY SILENTS
- ALKYMISTEN [L’alchimista/The Alchemist]
(Odense Filmværksted, DK 2013; dir. Teis Syvsig)
- THE GIRL WITH THE MECHANICAL MAIDEN (The Arts Council of Ireland/Irish Film
Board Restoration Films, IE 2012; dir. Andrew Legge)
- LAGO DI SETA (02 Films, US/IT 2013; dir: Renée George)
- THE MUSIC LOVERS (Fondazione CRT/Cittá di Torino, IT 2013; dir. Matteo Bernardini)

The entire schedule is at http://www.cinetecadelfriuli.org/gcm/al ... 029_09.pdf.

I will be there! It's my first trip back in a few years. Anyone else going from Nitrateville?

Can someone explain to me why COTTAGE ON DARTMOOR is included in the program, "Sweden, the Forgotten Years, 1925-1929?

missdupont wrote:Can someone explain to me why COTTAGE ON DARTMOOR is included in the program, "Sweden, the Forgotten Years, 1925-1929?

It's the Swedish version; made in parallel with the UK version as would be common practice in the early sound era. In fact (The British version, at least) A Cottage on Dartmoor was partly sound-on-disc - the cinema sequence at least - but the disc(s) are long lost. Looking forward to seeing it (and you too Dennis)

Well, if it was made in parallel, then it was still the British film industry that made it, not Sweden. There was a Spanish language version of DRACULA made at the same time as the Lugosi DRACULA, but it was still Universal that made it, not Spain. So does that mean German/French parallel versions of films made by Laurel and Hardy/Our Gang/Charley Chase are French and German films?

Miss Du Pont: The "Catalogue des films francais de long metrage," published in 1981, uses this criterion: "If a film has been made with French-speaking actors, by a team which includes people of French nationality, then it is considered to be French even if it has been made abroad."

So they are all Swedish actors in COTTAGE ON DARTMOOR and not someone speaking phonetically? So if Laurel and Hardy/Our Gang etc. use French actors in them in their parallel versions, while the stars speak phonetically, does that make them then French? Cinecon just showed an Our Gang French version that obviously had French-speaking children in it, along with Our Gang and Stepin-Fetchit, speaking BAD phonetic French, but under this definition, it is a French film.

Then also, in that regard, a film made in America, with a vast majority of cast and crew, means that THE ARTIST is an American film, not a French film.

missdupont wrote:Then also, in that regard, a film made in America, with a vast majority of cast and crew, means that THE ARTIST is an American film, not a French film.

We can keep this up all day, and in fact already did have a (very) long-ago thread on the topic of what constitutes a "foreign-language film" for the purposes of, variously, the tax department, the Academy, some unions, and movieland's adroit accounting system.


Jim

If it makes you feel better, Monty Python's parakeet stole the Fjords of Norway...

Dennis, I'll be there.

http://silentlondon.co.uk/2013/10/09/to ... ne-review/

http://silentlondon.co.uk/2013/10/10/le ... post-no-5/

http://dcairns.wordpress.com/2013/10/09/too-much/

Penfold wrote: ↑

Thu Oct 03, 2013 2:10 am

missdupont wrote:Can someone explain to me why COTTAGE ON DARTMOOR is included in the program, "Sweden, the Forgotten Years, 1925-1929?

It's the Swedish version; made in parallel with the UK version as would be common practice in the early sound era. In fact (The British version, at least) A Cottage on Dartmoor was partly sound-on-disc - the cinema sequence at least - but the disc(s) are long lost. Looking forward to seeing it (and you too Dennis)

The Swedish version is a new one on me. Hope it will become more available. And does El Brendel make an appearance?