edison films - a question

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Harlett O'Dowd
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edison films - a question

Post by Harlett O'Dowd » Sat Nov 06, 2010 11:02 pm

Naturally with all the bru-ha-ha of my conversion to HD last week (see thread below) I missed most of the TCM program on the Edison movies.

One thing I *did* manage to catch was fascinating to this Jersey boy:

Where were the shoot-the-chutes filmed?

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spadeneal
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Post by spadeneal » Sun Nov 07, 2010 7:06 am

Harlett,

Don't have Musser's book here, which would have the absolute answer, but imdb sez Bergen Beach at Coney Island. A similar subject, tho, shot by AM&B in 1903 locates the Chutes in Luna Park.

spadeneal

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boblipton
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Post by boblipton » Sun Nov 07, 2010 7:15 am

The ever-reliable IMDB has the 1903 issue credited as Luna Park in Coney Island, but that's AM&B. On Youtube -- another impeccable source of information --Tony of New York/Tiger Rocket claims the 1896 version is of Sea Lion Park.

http://www.youtube.com/watch?v=zXqeLGnP6wY

Bob
The past is a foreign country. They do things differently there.
— L.P. Hartley

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Rob Farr
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Post by Rob Farr » Sun Nov 07, 2010 8:16 am

Another Edison question: In the intro to all the discs on the Kino set, there is an incredible "zoom" to an older man declaiming at the head of a table. It's a very well done dolly shot aided by a skilled focus puller. But I can't find what film it was taken from. Anyone know?
Rob Farr
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Rob King
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Post by Rob King » Sun Nov 07, 2010 9:06 am

It's The Passer-By. Dir. Oscar Apfel, who, I believe, was on set to help out DeMille during the latter's debut, The Squaw Man (1914).

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boblipton
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Post by boblipton » Sun Nov 07, 2010 9:32 am

Rob King wrote:It's The Passer-By. Dir. Oscar Apfel, who, I believe, was on set to help out DeMille during the latter's debut, The Squaw Man (1914).
That is correct -- about Apfel and DeMille.

Bob
The past is a foreign country. They do things differently there.
— L.P. Hartley

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missdupont
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Post by missdupont » Sun Nov 07, 2010 9:33 am

Apfel wasn't just on the set, he actually directed the majority of the picture showing DeMille the ropes. He directed into the 1920s.

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