What is the prize item in your collection?
Well, books are my passion and there's several non-children children I love (some worth something, some worth nothing but thank god all tax deductible) including a signed copy of Von Stroheim's Paprika, a signed copy of William deMille's autobiography (also signed by Cecil), Marguerite Harrison's Born for Trouble (the English edition of her autobiography) and the World War I memoir Things Men Die For by "C" otherwise known as Merian C. Cooper. BUT, my favorite is the original painting that Agnes deMille commissioned for her book Where the Wings Grow as the book is actually a masterpiece. I got it from her Merriewold house auction and only wished I got her and William's tennis trophies that were also for sale.
Dennis Doros
Milestone F&V
Milestone F&V
I have an original UK poster (The Palace, Orpington) for The Atonement of Gosta Berling ("A MIGHTY DRAMA OF HUMAN DESTINIES"). Also advertised, but later in the week: Robert Agnew & Anne Cornwall in Racing Blood ("THRILLINGLY DRAMATIC STORY OF 'THE SPORT OF KINGS'"). Plus Chapter Nine (Danger of Dynamite) of The Winking Idol ("A VIRILE BLOOD-STIRRING STORY OF HIDDEN TREASURES OF THE AZTECS"). The latter two are 1926 titles, so presumably the Stiller was being released here to capitalise on Garbo's MGM successes (she is first-billed on the poster).
Also mentioned with Racing Blood are a "Cameo Comedy" and "Super Gazette". The bottom of the poster - tall and thin playbill shape - asks, "Who is the Green Archer?" - presumably a reference to the serial.
This was once owned by my late friend, author and collector Leslie Shepard, and (Leslie once told me) the film historian Liam O'Leary.
Also mentioned with Racing Blood are a "Cameo Comedy" and "Super Gazette". The bottom of the poster - tall and thin playbill shape - asks, "Who is the Green Archer?" - presumably a reference to the serial.
This was once owned by my late friend, author and collector Leslie Shepard, and (Leslie once told me) the film historian Liam O'Leary.
- Brooksie
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On the topic of enviable items in other peoples' collections, I recently met a collector who had one of the original booklets that was distributed with viewings of `The Story of the Kelly Gang' (1906). Something like five copies are known to exist.
Though the cover was in pretty bad shape, the pages were pristine. There are numerous photos from parts of the film that did not survive. Along with the text, which was intended to be referred to by the audience in lieu of intertitles, it gives the most complete idea of this, the world's first feature film. Amazing!
Though the cover was in pretty bad shape, the pages were pristine. There are numerous photos from parts of the film that did not survive. Along with the text, which was intended to be referred to by the audience in lieu of intertitles, it gives the most complete idea of this, the world's first feature film. Amazing!
Brooksie At The Movies
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Wasn't that movie supposedly the first feature length narrative film? I may have it mistaken with another film.Brooksie wrote:On the topic of enviable items in other peoples' collections, I recently met a collector who had one of the original booklets that was distributed with viewings of `The Story of the Kelly Gang' (1906). Something like five copies are known to exist.
Though the cover was in pretty bad shape, the pages were pristine. There are numerous photos from parts of the film that did not survive. Along with the text, which was intended to be referred to by the audience in lieu of intertitles, it gives the most complete idea of this, the world's first feature film. Amazing!
Few of my mementoes date to the silent era, but my prized possession is a photo of the Marx Brothers signed by Groucho.
But I'm also proud of my signed copy of Rudy Vallee's 1930 memoir, Vagabond Dreams Come True, my signed copy of Gloria Stuart's memoir (I interviewed her when it was published), photos autographed by Lauren Bacall, Jimmy Stewart, Ginger Rogers, Myrna Loy and Robert Mitchum (I'm confident the first four are legitimate; slightly less so about the last one, but I'm still glad to received something from Mitchum, even if a flunky signed it for him). I also have autographs by Ann Harding, Kay Francis, and Dennis O'Keeffe (that last will be gift to the wife at some point).
I also am pleased to own a novelization of THE JAZZ SINGER with photos from the movie throughout and a signed copy of Edward Arnold's 1930s memoir.
I also have fond memories of face-to-face encounters with Frances Dee, Kitty Carlisle, Gloria Stuart, Fay Wray, and Esther Williams.
But I'm also proud of my signed copy of Rudy Vallee's 1930 memoir, Vagabond Dreams Come True, my signed copy of Gloria Stuart's memoir (I interviewed her when it was published), photos autographed by Lauren Bacall, Jimmy Stewart, Ginger Rogers, Myrna Loy and Robert Mitchum (I'm confident the first four are legitimate; slightly less so about the last one, but I'm still glad to received something from Mitchum, even if a flunky signed it for him). I also have autographs by Ann Harding, Kay Francis, and Dennis O'Keeffe (that last will be gift to the wife at some point).
I also am pleased to own a novelization of THE JAZZ SINGER with photos from the movie throughout and a signed copy of Edward Arnold's 1930s memoir.
I also have fond memories of face-to-face encounters with Frances Dee, Kitty Carlisle, Gloria Stuart, Fay Wray, and Esther Williams.
Cladrite Radio: Toe-tapping Tunes of the 1920s, '30s and '40s
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https://cladriteradio.com
- Brooksie
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You were correct the first time - it's recognised as the world's first feature length fictional film. It was around 70 minutes long; about 15 minutes of very fragmentary material still exists.ChaneyFan wrote:Wasn't that movie supposedly the first feature length narrative film? I may have it mistaken with another film.
Brooksie At The Movies
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I wouldn't leave me anything. Except for real estate. Bonds, maybe.Jim Roots wrote:I hope you're leaving the Kay Francis to our own Frederica.skyvue wrote:I also have autographs by Ann Harding, Kay Francis, and Dennis O'Keeffe (that last will be gift to the wife at some point).
Jim
Fred
"Who really cares?"
Jordan Peele, when asked what genre we should put his movies in.
http://www.nitanaldi.com"
http://www.facebook.com/NitaNaldiSilentVamp"
"Who really cares?"
Jordan Peele, when asked what genre we should put his movies in.
http://www.nitanaldi.com"
http://www.facebook.com/NitaNaldiSilentVamp"
Well, the gem of my collection would be... my collection. In particular, several thousand orchestrated musical cues from several theater music libraries, alphabetized in four (and counting) five-drawer filing cabinets. While I have some originals, those scare me by their very fragility (some of them are on really lousy paper) so I make and use photocopies and get the originals to archives where they'll be taken care of, and musicians will be able to do what I do on into the future.
I'm particularly fond of the cues that include penciled cue notes from the original orchestra leaders. "Buster comes on deck with lantern," "Dynamite in box car," or "Fade to elephants."
I'm particularly fond of the cues that include penciled cue notes from the original orchestra leaders. "Buster comes on deck with lantern," "Dynamite in box car," or "Fade to elephants."
Rodney Sauer
The Mont Alto Motion Picture Orchestra
www.mont-alto.com
"Let the Music do the Talking!"
The Mont Alto Motion Picture Orchestra
www.mont-alto.com
"Let the Music do the Talking!"
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Doug Sulpy
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- The Blackbird
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Hanging on my wall in front of me is my still of Lon Chaney and Anita Page in WHILE THE CITY SLEEPS, which she personally inscribed for me "For Aaron, a wonderful artist! Bless you, Anita Page..." back in 2002 when I sent her a couple of portraits I did of her. I'll always miss her but I'll always be glad I had the chance to communicate with her.
After that, my collection of first-editions of various novels later made into features, eg. THE SHEIK, THE SCARLET CAR, THE FLAMING FOREST, SCARAMOUCHE, MARE NOSTRUM, THE FOUR HORSEMEN OF THE APOCALYPSE, THE BARRIER, THE AUCTION BLOCK, THE SPOILERS, NEVER THE TWAIN SHALL MEET, LOVEY MARY, THE PRARIE WIFE (and its unflimed sequel, THE PRARIE MOTHER), THE COVERED WAGON, and THE GARDEN OF ALLAH. THE PRARIE WIFE and THE GARDEN OF ALLAH are even illustrated with stills from the film versions, while THE COVERED WAGON'S dust jacket is decorated with poster art from that movie. Always keep your eyes on the local used-book stores; it's amazing the gems you can find.
After that, my collection of first-editions of various novels later made into features, eg. THE SHEIK, THE SCARLET CAR, THE FLAMING FOREST, SCARAMOUCHE, MARE NOSTRUM, THE FOUR HORSEMEN OF THE APOCALYPSE, THE BARRIER, THE AUCTION BLOCK, THE SPOILERS, NEVER THE TWAIN SHALL MEET, LOVEY MARY, THE PRARIE WIFE (and its unflimed sequel, THE PRARIE MOTHER), THE COVERED WAGON, and THE GARDEN OF ALLAH. THE PRARIE WIFE and THE GARDEN OF ALLAH are even illustrated with stills from the film versions, while THE COVERED WAGON'S dust jacket is decorated with poster art from that movie. Always keep your eyes on the local used-book stores; it's amazing the gems you can find.
- Brooksie
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Moderators - I would officially like to change my user name to `Fade To Elephants'.Rodney wrote:I'm particularly fond of the cues that include penciled cue notes from the original orchestra leaders. "Buster comes on deck with lantern," "Dynamite in box car," or "Fade to elephants."
Brooksie At The Movies
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