This was in `The Great Lie' (1941). From memory, Astor described the filming of the sequence in her biography as sort-of miming (the book's on loan to someone so I can't double check) - she had to know the piece well enough to be a convincing concert pianist but not actually play it.radiotelefonia wrote:Mary Astor at the piano.
However, I've also read other eyewitnesses accounts saying it was virtually all her own work. It would not surprise me at all, as Astor was a highly trained pianist, and also tended to minimise her own role in anything she did.
Going back to the Betty Compson example from `Street Girl' - perhaps it was a similar situation. I was certainly convinced by her performance, and was surprised when I read she'd been dubbed.
Then there's Richard Barthelmess in `Weary River' (1929). Both his voice and piano playing were done `Singin' In The Rain' style by people offscreen, and it caused the first-ever `lip-synching' scandal.






