Real-time comaprison of BLACKMAIL versions

Open, general discussion of silent films, personalities and history.
Post Reply
User avatar
silentfilm
Moderator
Posts: 12397
Joined: Tue Dec 18, 2007 12:31 pm
Location: Dallas, TX USA
Contact:

Real-time comaprison of BLACKMAIL versions

Post by silentfilm » Tue Mar 13, 2012 8:57 am

The "Film Studies for Free" blog has a real-time comparison of the silent and sound BLACKMAIL (1929) versions. You can watch the entire film with the silent and sound versions side-by-side.

The blog post is at http://filmstudiesforfree.blogspot.com/ ... cocks.html


User avatar
Gaucho
Posts: 199
Joined: Fri Feb 29, 2008 9:37 pm

Re: Real-time comaprison of BLACKMAIL versions

Post by Gaucho » Tue Mar 13, 2012 7:46 pm

This is a great idea. Although the version above is only a 3min or so clip from both films.
Still, it's an interesting experiment.

User avatar
FrankFay
Posts: 4072
Joined: Thu Jan 03, 2008 11:48 am
Location: Albany NY
Contact:

Re: Real-time comaprison of BLACKMAIL versions

Post by FrankFay » Tue Mar 13, 2012 7:54 pm

Very interesting- both clips are equally good in their own ways.

The accompanying analysis makes huge assumptions (such as Hitchcock intending the chirping bird to reflect Ondra's "bird like" movements) and is otherwise typically pretentious writing. Of course if any academic commentary were written in clear language no one would take it seriously.
Eric Stott

User avatar
MattBarry
Posts: 386
Joined: Tue Dec 18, 2007 4:08 pm

Re: Real-time comaprison of BLACKMAIL versions

Post by MattBarry » Wed Apr 04, 2012 8:47 pm

silentfilm wrote:The "Film Studies for Free" blog has a real-time comparison of the silent and sound BLACKMAIL (1929) versions. You can watch the entire film with the silent and sound versions side-by-side.

The blog post is at http://filmstudiesforfree.blogspot.com/ ... cocks.html

Thanks for posting. Having seen both versions in their entirety, I have to say I prefer the sound version. Even this early in his career (not to mention in his first talkie!), Hitchcock was employing all sorts of creative uses of sound, the "knife" scene being perhaps the most famous.
__
Matt Barry
Kino Lorber, Inc.

User avatar
s.w.a.c.
Posts: 3931
Joined: Mon Jul 28, 2008 2:27 pm
Location: The Land of Evangeline

Re: Real-time comaprison of BLACKMAIL versions

Post by s.w.a.c. » Thu Apr 05, 2012 5:37 pm

The sound version's tighter too, the editing is a lot more compact, right up to the time of the first title card in the silent. I'm guessing a lot of early talkies made by others must have driven Hitch out of his mind.
Twinkletoes wrote:Oh, ya big blister!

Post Reply