BLACKFACE RADIO/TALKIES: AMOS & ANDY; PICK & PAT; BEULAH...

Open, general discussion of old-time radio and early television
Post Reply
JFK
Posts: 2103
Joined: Thu Apr 19, 2012 6:44 pm

BLACKFACE RADIO/TALKIES: AMOS & ANDY; PICK & PAT; BEULAH...

Post by JFK » Fri Nov 30, 2012 8:12 pm

Image
The image above is of Pick Malone (1893–1962) and Pat Padgett (1898–1990)
- a blackface radio comedy team performing simultaneously on series as
Pick And Pat and Molasses and January .

Their Radio Programs as Pick And Pat
Broadcast History:
January 26, 1934-May 31, 1935 NBC 30 Minute Program
June 3, 1935-February 20, 1939 CBS 30 Minute Program
(With Edward Roecker, The Landt Trio, Benny Krueger, Ray Bloch)
January 18-July 18, 1944 Mutual 30 Minute Program
(With Mary Small, Diane Courtney, Tiny Ruffner, Paul Douglas, Vincent Lopez)
July 23-August 30, 1945 ABC 15-Minute Four-Time Weekly Program
From Jack Dunning’s On The Air: The Encyclopedia Of Old-Time Radio
Vaudeville comics Pick Malone and Pat Padgett were Georgian’s who met in 1929, they specialized in heavy blackface, creating a Negro spoof act called Molasses And January, which they used on the Maxwell House Show Boat concurrently with their own shows. They often worked without scripts, each building spontaneously upon gags and situations thrown out by the other, in 1938, their show was also called Model Minstrels.

"
From The Evening Independent- June 16, 1933
Pat Padgett, Famous As “Molasses” On Show Boat Radio Programs, In City Again To Fish For Tarpon
Between soup and dessert the two organized a black-face team-and that’s how Molasses and January were ‘born .’ Since then Padgett and Malone have played as headliners in Broadway productions and have hit radio heights. On the stage they are known as “Pick and Pat.” When they play in movie short subjects they go by the latter name. Their most recent movie was in “Speaking of Operations,” which was shown at a local theater here recently.


The short mentioned in The Evening Independent story above was likely a Paramount release,
but the only imdb credits for Padgett and Malone is for American Minstrels of 1949,
a 1949 television series they did with Jack Carter
http://www.imdb.com/name/nm0655665/
http://www.imdb.com/name/nm0540496/
http://www.imdb.com/title/tt0040999/
“A prime example of days when television was seen more as an extension of the live stage, American Minstrels of 1949 was essentially a vaudeville show performed in front of the cameras. Among the various musical and comedy numbers were such regulars as Pick and Pat, a pair of comics performing in blackface, Mary Small and Jimmy Burrell, who would sing current popular songs.”
Last edited by JFK on Wed Jun 25, 2014 3:43 am, edited 8 times in total.

JFK
Posts: 2103
Joined: Thu Apr 19, 2012 6:44 pm

MARLIN HURT: White Man Starred As Black Maid on BEULAH

Post by JFK » Fri Nov 30, 2012 8:52 pm


Image
LISTEN TO A FEW OF THE SHOWS AT THIS LINK
http://archive.org/details/TheBeulahShow

http://en.wikipedia.org/wiki/Marlin_Hurt
Marlin Hurt (May 27, 1905 – March 21, 1946) was an American stage entertainer and radio actor who was best known for originating the dialect comedy role of Beulah made famous on the Fibber McGee and Molly program and the first season of the Beulah radio series. A saxophone player and vocalist, Hurt was once a singer with the Vincent Lopez band before becoming part of a vocal trio with Bud and Gordon Vandover billed as "Tom, Dick, and Harry". When the act was dissolved due to Bud Vandover's death in 1943, Hurt became a solo performer with a combination of saxophone and dialect humor. Hurt's inspiration for the Beulah voice was an African-American woman named Mary who cooked for his family. While he was using this characterization on The Fred Brady Show, the summer, 1943 replacement for The Bob Burns Show on NBC, Fibber McGee writer Don Quinn "discovered" Hurt for a widespread audience, and cast Hurt/Beulah as the McGees' maid on what was one of the highest rated radio programs. The widespread popularity of the Fibber McGee and Molly version of Hurt's character, based as much on the novelty of a white man portraying a black woman as the humor written for the character, soon warranted a spin-off series. In 1945, Beulah was spun off into her own radio show, The Marlin Hurt and Beulah Show; Hurt also played Beulah's boyfriend, Bill Jackson, in addition to his title roles. The series was nearing the end of its first year when Hurt suddenly died of a heart attack, aged 40, bringing an abrupt end to the initial run.



User avatar
FrankFay
Posts: 4072
Joined: Thu Jan 03, 2008 11:48 am
Location: Albany NY
Contact:

Re: BLACKFACE RADIO: AMOS & ANDY; PICK & PAT; BEULAH...

Post by FrankFay » Fri Nov 30, 2012 10:15 pm

Aside from being voiced by TWO white men, the amount of actresses who played Beulah on radio and television is remarkable: http://en.wikipedia.org/wiki/Beulah_%28series%29" target="_blank
Eric Stott

JFK
Posts: 2103
Joined: Thu Apr 19, 2012 6:44 pm

CORRELL & GOSDEN as SAM 'n' HENRY-WGN 1926-28

Post by JFK » Fri Nov 30, 2012 11:27 pm

The first sitcom, the first attempt at syndication,
and the first personnel mistake in WGN's century of ineptitude.

Image
CLICK LINKS BELOW TO

READ THEIR BOOK OF SCRIPTS or
HEAR SOME RECORDED SHOWS

http://en.wikipedia.org/wiki/Sam_and_Henry
Sam 'n' Henry was a radio series by Freeman Gosden and Charles Correll which aired on Chicago radio station WGN in 1926-1928. The ten minute program is often considered to be the first situation comedy. Gosden and Correll reworked the premise on a more ambitious scale to create their long-run radio show Amos 'n' Andy. In late 1925, radio performers Gosden and Correll had been approached about doing a show based on Sidney Smith's popular comic strip The Gumps. Gosden and Corell instead proposed their own radio serial using characters they created themselves. Like The Gumps, each show would be amusing in itself but would also feature recurring characters in an ongoing storyline. Since they had received a favorable response to African American characters they had previously done on radio, Gosden and Correll proposed that the principal characters be African Americans, Sam Smith and Henry Johnson, newly arrived in Chicago from rural Alabama. After overcoming initial problems of not starving, finding a living space and making enough money to pay the rent for it, Sam and Henry set up their own moving company, with overbearing Henry as company president and meek, gullible Sam as the one who does all the work. Having been initiated into a colored fraternity called the Jewels of the Crown, they strike up a friendship with the Most Precious Diamond, the high officer of the lodge, who frequently tries to get his hands on the boys' money.
Sam 'n' Henry premiered on Chicago radio station WGN on January 12, 1926, and immediately found an audience of Midwestern listeners. Correll and Gosden wrote and produced 586 episodes. They provided the voices for all characters. They left WGN after the station rejected their novel concept of recording Sam 'n' Henry on phonograph records and distributing those to other radio stations. The duo's last musical program for WGN was broadcast on January 29th, 1928. In March, they brought their characters, now called Amos and Andy, to competing Chicago station WMAQ. WGN retained the rights to the characters and continued Sam 'n' Henry without Correll and Gosden until February 12th. On March 31st, some two weeks after Amos 'n' Andy premiered on WMAQ, Sam 'n' Henry returned as a 15 to 30-minute program, in which the title characters mostly functioned as announcers for musical performances. The final episode of Sam 'n' Henry aired on July 14, 1928.
In 1926, the Chicago Tribune published Sam 'n' Henry, containing a selection of 25 of the scripts Correll and Gosden wrote for the first two months of their radio series (judging from the pages of the Chicago Tribune quoted in chapter 23, these are from among the 31 episodes broadcast up to February 19th, 1926). In the brief introduction, they wrote, "Please stand by while we rise (both of us) and bow fervently to our good and great papa, the Chicago Tribune. Oh, oh!" Illustrator Samuel Jay Smith supplied several drawings of the characters. Since the book sold well in the Midwest, the Tribune brought out a paperback version in 1930.
From February 6, 1927 to October 2, 1927, each Sunday issue of the Chicago Daily Tribune contained the script of an old or recent episode of the show. In 1926 and 1927, Gosden and Correll also recorded some of their Sam 'n' Henry routines for Victor Records (rewritten and shortened to about three minutes), and in the first two months of 1927, they performed as Sam 'n' Henry in at least three Chicago theaters.




Last edited by JFK on Wed Jun 25, 2014 3:42 am, edited 3 times in total.

User avatar
FrankFay
Posts: 4072
Joined: Thu Jan 03, 2008 11:48 am
Location: Albany NY
Contact:

Re: BLACKFACE RADIO: AMOS & ANDY; PICK & PAT; BEULAH...

Post by FrankFay » Sat Dec 01, 2012 2:58 am

It isn't widely known, but Correll & Gosden made a series of vocal duet records in the mid 1920's. I have several and they are quite charming:

Eric Stott

User avatar
bobfells
Posts: 3578
Joined: Wed Feb 17, 2010 2:03 pm
Location: Old Virginny
Contact:

Re: BLACKFACE RADIO: AMOS & ANDY; PICK & PAT; BEULAH...

Post by bobfells » Sat Dec 01, 2012 9:31 am

As a sign of changing times, when Bing Crosby devoted an entire broadcast to a minstrel show on Philco Radio Time (recorded 3/3/47, broadcast 4/2/47) with Al Jolson and John Charles Thomas(!), he was criticized for it by various reviewers. Crosby never repeated it.

Image
Official Biographer of Mr. Arliss

http://www.ArlissArchives.com" target="_blank
http://www.OldHollywoodinColor.com" target="_blank
https://www.Facebook.com/groups/413487728766029/" target="_blank

JFK
Posts: 2103
Joined: Thu Apr 19, 2012 6:44 pm

PICK & PAT; GOLDY & DUSTY; DONAHUE & UNO

Post by JFK » Sun Jan 06, 2013 6:09 am

PICK and PAT (on Harry Richman Show)

Click to Hear Harry Richman Florida Show ................. Click to Hear Another Harry Richman Florida Show
ImageImage



GOLDY and DUSTY
Image Image


An episode of Graham McNamee's Behind the Mike from 10/27/1940
featured, along with Minerva Pious and Ward Wilson,
Harvey Hindemeyer and Earle Tuckerman in a recreation of their circa 1924 radio program.
They took their radio/stage names- Goldy and Dusty, a.k.a. The Gold Dust Twins-
from the trademarked characters of their sponsor, Gold Dust Washing Soap.

Click to Hear Goldy and Dusty on Behind the Mike (15:49-19:50)

Do any other recordings of them exist?



WILLIAM RED DONAHUE (a.k.a. Donohue) and UNO
The Not Entirely Unexpected Downward Trajectory of A Blackface Vaudeville Act with a Mule
Image
ImageImage ImageImageImage
Image
The Ottawa Journal June 20, 1942
DON GILBERT- Ed Wynn Back in Vaudeville Despite Well-Aimed Kick of Mule

Ed Wynn is back in vaudeville despite the efforts of a 36-year-old mule to heave him into the orchestra and out of the show business. Rehearsing his new two-a-day variety show, "Laugh, Town, Laugh", Wynn was living up to his sobriquet of "The Perfect Fool" when the ancient mule, Broadway's newest animal act, broke loose as the comedian struggled to lift its rear end into the air. Wynn ducked, but, not In time, and four of his fingers were broken. The injury set the opening of the show back a week, but it finally got under way In Bridgeport, Conn. last night and will have, its Broadway premiere Monday. "Uno" is the mule's name, and he is making his first stage appearance after doing three movies in Hollywood "Ten Gentlemen from West Point", "Las Vegas Nights", and "Panama Hattie". His trainer, Red Donahue, says "Uno" Is really not a mule at all, but a Spanish jackass. The animal celebrated his 36th birthday last month and Donahue says he ought to live to be 70.
Billboard Jul 4, 1942
Ed Wynn's Laugh, Town, Laugh Opens"

"He starts the show off with a typical line of tomfoolery, featured by mentions of the hand
he broke when the mule in the act of Red Donahue and Uno kicked him during rehearsals.....
Red Donahue and Uno, tho billed on house boards and programs, were out of the show on second night."

Last edited by JFK on Wed Jun 25, 2014 9:02 pm, edited 2 times in total.

User avatar
Ray Faiola
Posts: 1366
Joined: Tue Jan 08, 2008 10:18 am
Location: Ellenville, NY
Contact:

Re: BLACKFACE RADIO: AMOS & ANDY; PICK & PAT; BEULAH...

Post by Ray Faiola » Mon Jan 07, 2013 7:18 am

bobfells wrote:As a sign of changing times, when Bing Crosby devoted an entire broadcast to a minstrel show on Philco Radio Time (recorded 3/3/47, broadcast 4/2/47) with Al Jolson and John Charles Thomas(!), he was criticized for it by various reviewers. Crosby never repeated it.
Any primary source for this? What reviewers? Minstrel musicales were still very popular in the late 40's, and this was radio. There was no blackface. There aren't even any racial jokes in the course of the broadcast, just southern dialect. And 7 years later there was a (whiteface) minstrel number in Crosby's WHITE CHRISTMAS. So I don't think he felt much of a bite by "various reviewers".
Classic Film Scores on CD
http://www.chelsearialtostudios.com

Post Reply