Francis Ford 1918 THE CRAVING

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David Denton
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Francis Ford 1918 THE CRAVING

Post by David Denton » Wed Nov 12, 2014 8:43 pm

One of the true film pioneers, Francis Ford in THE CRAVING

http://europeanfilmgateway.eu/node/33/d ... h0LTEtNA==" target="_blank" target="_blank

Henry Nicolella
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Re: Francis Ford 1918 THE CRAVING

Post by Henry Nicolella » Thu Nov 13, 2014 9:37 pm

I had thought THE CRAVING was a lost film. Thanks for posting this!
Henry Nicolella

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Javier
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Re: Francis Ford 1918 THE CRAVING

Post by Javier » Fri Nov 14, 2014 10:13 pm

Thank you David.

This is such a sweet offering, many thanks for posting this, being a silent film lover, this is one of the many that makes my day.

Thanks again mate. :D
"it's a Kafka high, you feel like a bug"

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telical
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Re: Francis Ford 1918 THE CRAVING

Post by telical » Sat Nov 15, 2014 9:49 am

This is great.

http://www.silentera.com/PSFL/data/C/Craving1918.html" target="_blank

has the most on it in a simple search.

There might be a third term, in addition to lost film, and extant,
like: extant but with intertitles in a relatively obscure language that few can read.
--
Robert Pearson
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oldposterho
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Re: Francis Ford 1918 THE CRAVING

Post by oldposterho » Sun Nov 16, 2014 4:35 pm

Adding my thanks for posting this. Never can see too many films about besotted chemists.

Some really interesting stuff, I wonder if the "India" scenes came from another film? Seem a bit extravagant for something like this. Also love the hurricane winds in the interior scenes, presumably from an open air set.

--Peter
Peter

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FrankFay
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Re: Francis Ford 1918 THE CRAVING

Post by FrankFay » Mon Nov 17, 2014 2:49 pm

oldposterho wrote:Adding my thanks for posting this. Never can see too many films about besotted chemists.

Some really interesting stuff, I wonder if the "India" scenes came from another film? Seem a bit extravagant for something like this. Also love the hurricane winds in the interior scenes, presumably from an open air set.

--Peter
Wind blowing through early sets can be quite amusing. In Helen Gardner's CLEOPATRA it animates the costumes in the outdoor scenes, but it is laughable to see draperies flutter in a supposedly sealed tomb.

The best example is in a British film where the set was so cold that breath was visible.
Eric Stott

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