OK so what does this mean?
"The film has not been restored. We only hold film elements. The safety copy is a fine grain master positive. "
LOC notes
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David Pierce
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Re: LOC notes
A fine grain master positive (or in the UK, a duping pos, or many years ago, a protection lavender) is a lower contrast film element used to generate duplicating negatives. The FGMP would be generated from a negative, ideally a camera negative.drednm wrote:OK so what does this mean?
"The film has not been restored. We only hold film elements. The safety copy is a fine grain master positive. "
A fine grain master positive is a preservation element, not suitable for projection or Steenbeck viewing. However, it is an excellent element if your goal is to create a digital copy.
If an archive's best original element is a print, then the preservation workflow would create a dupe negative and print. If they acquire a negative, then the preservation element is a FGMP. If the archive's goal is a timed (graded) safety fine grain master positive, then after the timer chooses the lights (exposure in the printer), the lab might make a print to test the timing, then make the FGMP.
David Pierce
http://www.mediahistoryproject.org
Media History Digital Library
Re: LOC notes
I am lost as you are. English is my second language, but your post does not make sense.drednm wrote:OK so what does this mean?
"The film has not been restored. We only hold film elements. The safety copy is a fine grain master positive. "
Where did you get these uneven quotes from LOC?
"it's a Kafka high, you feel like a bug"
Re: LOC notes
David Pierce wrote:A fine grain master positive (or in the UK, a duping pos, or many years ago, a protection lavender) is a lower contrast film element used to generate duplicating negatives. The FGMP would be generated from a negative, ideally a camera negative.drednm wrote:OK so what does this mean?
"The film has not been restored. We only hold film elements. The safety copy is a fine grain master positive. "
A fine grain master positive is a preservation element, not suitable for projection or Steenbeck viewing. However, it is an excellent element if your goal is to create a digital copy.
If an archive's best original element is a print, then the preservation workflow would create a dupe negative and print. If they acquire a negative, then the preservation element is a FGMP. If the archive's goal is a timed (graded) safety fine grain master positive, then after the timer chooses the lights (exposure in the printer), the lab might make a print to test the timing, then make the FGMP.
Thank you David for the clarification.
David Pierce
http://www.mediahistoryproject.org
Media History Digital Library
"it's a Kafka high, you feel like a bug"
Re: LOC notes
Ed,
Are we talking about THE HUMMING BIRD here, or something else?
Re: LOC notes
Something else.....
I looked up the "fine grain film element" and yes thanks, David for elaborating on that. I was baffled by the "We only hold film elements," so I wrote back. All she meant was "we do not have video or digital files."
I looked up the "fine grain film element" and yes thanks, David for elaborating on that. I was baffled by the "We only hold film elements," so I wrote back. All she meant was "we do not have video or digital files."
Ed Lorusso
DVD Producer/Writer/Historian
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DVD Producer/Writer/Historian
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- kaleidoscopeworld
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Re: LOC notes
It seems that it means it's a straight dupe, they haven't done any other work (reconstruction, restoration), etc. Sort of odd wording though.