Lillian and Dorothy Gish, William Powell and Ronald Colman in Renaissance Florence:
http://www.grapevinevideo.com/romola.html" target="_blank" target="_blank" target="_blank
Old version screen caps:
Grapevine Upgrades ROMOLA (1924)
Grapevine Upgrades ROMOLA (1924)
Grapevine Video announced today that it has upgraded its DVD release of ROMOLA (1924) - "upgrades with a new high quality digital transfer for better picture quality!" Purchasers of the previous edition (like me) should contact Jason Hardy at Grapevine to obtain a code for a discount on the new edition.
Lillian and Dorothy Gish, William Powell and Ronald Colman in Renaissance Florence:
http://www.grapevinevideo.com/romola.html" target="_blank" target="_blank" target="_blank
Old version screen caps:
Lillian and Dorothy Gish, William Powell and Ronald Colman in Renaissance Florence:
http://www.grapevinevideo.com/romola.html" target="_blank" target="_blank" target="_blank
Old version screen caps:
Official Biographer of Mr. Arliss
http://www.ArlissArchives.com" target="_blank
http://www.OldHollywoodinColor.com" target="_blank
https://www.Facebook.com/groups/413487728766029/" target="_blank
http://www.ArlissArchives.com" target="_blank
http://www.OldHollywoodinColor.com" target="_blank
https://www.Facebook.com/groups/413487728766029/" target="_blank
Re: Grapevine Upgrades ROMOLA (1924)
They also listed that they just upgraded "The Canadian" which I had on my most recent Grapevine order....and watched (the wonderful) film last week-end.
Agnes McFadden
I know it's good - I wrote it myself!
I know it's good - I wrote it myself!
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Jess McGrath
- Posts: 107
- Joined: Wed Jun 25, 2014 8:18 pm
Re: Grapevine Upgrades ROMOLA (1924)
How does the upgraded version compare to the old? The old version received a pretty mediocre review from SilentEra.com.
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entredeuxguerres
- Posts: 4726
- Joined: Sat Feb 11, 2012 12:46 pm
- Location: Empire State
Re: Grapevine Upgrades ROMOLA (1924)
To me, a high quality score is of greater importance than a high quality transfer.
George Eliot's literary executor should have sued to have her name removed from the title credit; unless "adapted" can be construed to mean "turned end for end and inside out."
George Eliot's literary executor should have sued to have her name removed from the title credit; unless "adapted" can be construed to mean "turned end for end and inside out."