Farrar is great. Very carnal, I thought.
Cecil B DeMille's CARMEN
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Michael O'Regan
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Cecil B DeMille's CARMEN
I caught the last hour of this today on TV.
Farrar is great. Very carnal, I thought.

Farrar is great. Very carnal, I thought.
- Christopher Jacobs
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DeMille's CARMEN is one of my favorite pre-1920 films, doing a great job of getting the story down to a fast-moving hour without wasting any time. Farrar may be minus her operatic voice, but she has a great screen presence and is a prototype for the film noir females who would entice and destroy a love-smitten naive "hero" while bringing both to their doom. Great picture! I wish more of her films were available. JOAN THE WOMAN is also quite good in a very different sort of way.
--Christopher Jacobs
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- silentfilm
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If you have the David Shepard DVD of Carmen, make sure that you watch the reconstructed Burlesque on Carmen after the main feature. Chaplin's comedy may not make much sense before seeing the original, but it is a very funny spoof afterward.
Bruce Calvert
http://www.silentfilmstillarchive.com
http://www.silentfilmstillarchive.com
Wouldn't Prosper Merrimee's character be more the prototype? Carmen is opera's uber-tart.Christopher Jacobs wrote:DeMille's CARMEN is one of my favorite pre-1920 films, doing a great job of getting the story down to a fast-moving hour without wasting any time. Farrar may be minus her operatic voice, but she has a great screen presence and is a prototype for the film noir females who would entice and destroy a love-smitten naive "hero" while bringing both to their doom. Great picture! I wish more of her films were available. JOAN THE WOMAN is also quite good in a very different sort of way.
--Christopher Jacobs
http://www.und.edu/instruct/cjacobs
http://hpr1.com/film
Fred
Fred
"Who really cares?"
Jordan Peele, when asked what genre we should put his movies in.
http://www.nitanaldi.com"
http://www.facebook.com/NitaNaldiSilentVamp"
"Who really cares?"
Jordan Peele, when asked what genre we should put his movies in.
http://www.nitanaldi.com"
http://www.facebook.com/NitaNaldiSilentVamp"
"Uber-tart" is exactly how Lubitsch & Negri present her in their CARMEN, which is also entertaining as all get out. The animal-in-heat way Negri's Carmen dumps her ex-soldier and follows after the matador at the end is something to see.Frederica wrote:
Wouldn't Prosper Merrimee's character be more the prototype? Carmen is opera's uber-tart.
Fred
Unfortunately, the complete original German film--which I saw at a Lubitsch retro a few years ago--isn't available stateside, only the First National version, GYPSY BLOOD, which is missing some important scenes.
dr. giraud
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Peter Kalm
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This finally answers a question that I had a while back about Gypsy Blood as the Grapevine version seems to have some scenes missing. Is the complete German version available on DVD? I would love to see it.dr.giraud wrote:
Unfortunately, the complete original German film--which I saw at a Lubitsch retro a few years ago--isn't available stateside, only the First National version, GYPSY BLOOD, which is missing some important scenes.
I don't think so. The German silent Lubitsch collection has the same films Kino released. I guess I shouldn't be surprised MADAME DUBARRY and CARMEN were passed over for ANNA BOLEYN and SUMURUN, but the former are much more entertaining. (IMHO)Peter Kalm wrote:
This finally answers a question that I had a while back about Gypsy Blood as the Grapevine version seems to have some scenes missing. Is the complete German version available on DVD? I would love to see it.
dr. giraud