question on MGM early talkies
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David Pierce
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question on MGM early talkies
I 'm trying to work out a chronology on the transition to sound films at MGM.
"White Shadows in the South Seas" was their first film with a recorded soundtrack, and premiered in New York on July 31, 1928, and went into general release that November.
And a year later, in November 1929, MGM released their last film without dialogue, "The Kiss," with Garbo.
Can anyone help me confirm MGM first part-talkie feature, and their last part-talkie feature?
Thanks,
David Pierce
"White Shadows in the South Seas" was their first film with a recorded soundtrack, and premiered in New York on July 31, 1928, and went into general release that November.
And a year later, in November 1929, MGM released their last film without dialogue, "The Kiss," with Garbo.
Can anyone help me confirm MGM first part-talkie feature, and their last part-talkie feature?
Thanks,
David Pierce
According to the MGM Story, Alias Jimmy Valentine was shot silent, then talkie scenes were reshot and "The first MGM star to be thrown upon the microphone's dubious mercies was William Haines." I'll keep looking for the last partial talkie. Having a hard time reading, just had the eyes dilated.
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- Harold Aherne
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Alias Jimmy Valentine appears to have been the first part-talkie; it opened in New York on 15 Nov. 1928 and went into general release on 26 Jan. 1929.
The last part-talkie was The Mysterious Island (5 Oct. 1929). While the amount of dialogue is somewhat limited, it goes beyond merely background chatter as in Sunrise and actually helps advance the story, e.g. the scene in which Sonja's voice is heard on the submarine radio. The last part-talkie before that, I believe, was Wonder of Women (13 Jul. 1929). The last MGM film that was completely silent--not sent out with any track whatsoever--may have been The Desert Rider (11 May 1929), but I haven't confirmed it.
-Harold
The last part-talkie was The Mysterious Island (5 Oct. 1929). While the amount of dialogue is somewhat limited, it goes beyond merely background chatter as in Sunrise and actually helps advance the story, e.g. the scene in which Sonja's voice is heard on the submarine radio. The last part-talkie before that, I believe, was Wonder of Women (13 Jul. 1929). The last MGM film that was completely silent--not sent out with any track whatsoever--may have been The Desert Rider (11 May 1929), but I haven't confirmed it.
-Harold
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Richard P. May
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Based on a copy of the MGM release schedule for 1929 (a typewritten list that was in the MGM print department when I worked there) it is correct that DESERT RIDER was released May 11, 1929, but it shows CHINA BOUND (Dane & Arthur) released a week later, May 18.
Everything after that had at least a music track.
The list does not designate a part-talkie from all dialog.
Everything after that had at least a music track.
The list does not designate a part-talkie from all dialog.
Dick May
- Harold Aherne
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You're right--I had never looked up the status of the Dane/Arthur films.Richard P. May wrote:Based on a copy of the MGM release schedule for 1929 (a typewritten list that was in the MGM print department when I worked there) it is correct that DESERT RIDER was released May 11, 1929, but it shows CHINA BOUND (Dane & Arthur) released a week later, May 18. Everything after that had at least a music track.
The list does not designate a part-talkie from all dialog.
The NYT reviews of The Bellamy Trial and The Bridge of San Luis Rey note that both films had talking sequences. They've been listed as incomplete on AMS; I wouldn't mind seeing both on TCM if enough survives of them to justify a screening.
-Harold
Last edited by Harold Aherne on Sun Aug 01, 2010 7:33 pm, edited 1 time in total.
MGM questions
All I could find is Luis Rey exists only as a silent version at George Eastman House. Nothing to add about The Bellamy Trial.
- Brooksie
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A couple of MGM sound milestones (other than the obvious ones), according to `The MGM Story' and other sources:
Apparently George Eastman House has a complete copy of the silent version of `The Bridge of San Luis Rey', but I've seen `The Bellamy Trial' on plenty of lost film lists (as always, happy to be proven wrong ... )
- - First sound-on-film production - Norma Shearer's `The Last of Mrs Cheyney' (6 July 1929 - their first all-talking non-musical had been her `The Trial of Mary Dugan')
- Last sound production not also issued in a silent version for unwired theatres - `Wise Girls' (21 Sept 1929 - noteworthy given that, for example - Marion Davies' first talkie `Marianne' was made in two quite different versions, one talking and one silent, and had been released only a month earlier)
Apparently George Eastman House has a complete copy of the silent version of `The Bridge of San Luis Rey', but I've seen `The Bellamy Trial' on plenty of lost film lists (as always, happy to be proven wrong ... )
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David Pierce
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I'm not so sure about 'Wise Girls' being the last. I believe a silent release version of Clarence Brown's 'Romance' with Garbo was preserved by MGM in the 1960s.Brooksie wrote:A couple of MGM sound milestones (other than the obvious ones), according to `The MGM Story' and other sources:
- Last sound production not also issued in a silent version for unwired theatres - `Wise Girls' (21 Sept 1929 - noteworthy given that, for example - Marion Davies' first talkie `Marianne' was made in two quite different versions, one talking and one silent, and had been released only a month earlier)
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And thanks to everyone for the research.
David Pierce
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David Pierce
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Michael O'Regan
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- Jack Theakston
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All the major studios continued to release silent versions of sound pictures for their yet-unwired theatres until October of 1931, when the cessation of the practice was heralded by a front-page story in Variety ("END OF SILENT FILMS").
I believe that a silent version of the Norma Shearer film STRANGERS MAY KISS (1931) still exists. Maybe Dick May could verify . . .
I believe that a silent version of the Norma Shearer film STRANGERS MAY KISS (1931) still exists. Maybe Dick May could verify . . .
- Brooksie
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The source gave it as the last movie where a silent and sound version were shot - silent versions thenceforth being films conceived for sound with intertitles added to make them suitable for silent showings. I've found it difficult to find further info on this film to confirm one way or another.David Pierce wrote:I'm not so sure about 'Wise Girls' being the last. I believe a silent release version of Clarence Brown's 'Romance' with Garbo was preserved by MGM in the 1960s.
It's interesting that rather than keeping Garbo's voice off the screen for as long as possible, they continued putting out silent releases of her films alongside sound. The romantic in me wonders if there was some genuine demand for Garbo without the mystery of her silence spoilt.
- Harold Aherne
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If the book you talked about earlier is John Douglas Eames' The MGM Story, here's his exact quote about Wise Girls:Brooksie wrote: The source gave it as the last movie where a silent and sound version were shot - silent versions thenceforth being films conceived for sound with intertitles added to make them suitable for silent showings. I've found it difficult to find further info on this film to confirm one way or another.
Eams says nothing about both a silent and sound version for Wise Girls, though admittedly his first sentence is misleading. And the fact that no silent version was made available for *this particular* title (which may or may not be true--further research is needed) does not imply that later MGM releases weren't given alternate silent versions.Final capitulation of the silents to the talkies was signalled by Wise Girls, released in September 1929. It was MGM's first movie with no silent version available for unwired theatres.
-Harold
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Richard P. May
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